| Like countless other young people, Tom Carter came to China to teach English and go traveling. But he traveled further, for longer, visiting all 33 of China's provinces twice in two years. He took more pictures than most. Crucially, he took the pictures that everyone else wanted to. |
像其他無(wú)數(shù)年輕人一樣，湯姆·卡特在中國(guó)教授英語(yǔ)的同時(shí)游遍大江南北。但是他比一般人旅行地更為深入和持久，他在兩年的時(shí)間內(nèi)兩次走遍中國(guó)３３個(gè)省市。他拍攝了許許多多多的照片。關(guān)鍵的是，他拍攝了每個(gè)人都想拍攝的照片。 |
| The result, his book China: Portrait of a People, is a snapshot of an entire country in a time of great change; a truthful and touching portrayal of the Chinese people in all their variety, charm and earthiness. As such, even if it does not turn out a best-seller, it will have lasting value as a social document. This isn't a coffee table book of the Great Wall or the quintessentially Chinese landscapes of Guilin. It isn't a travel book either, although it may well inspire many to come see China for themselves. |
旅行的成果便是他出版了一本攝影畫(huà)冊(cè)《中國(guó)：一個(gè)民族的畫(huà)像》，拍攝下處于巨變時(shí)代中的中國(guó)，忠實(shí)而感人地記錄了中國(guó)人民的多彩風(fēng)姿、無(wú)窮魅力和質(zhì)樸純真。嚴(yán)格說(shuō)來(lái)，盡管這本攝影畫(huà)冊(cè)不能成為一本暢銷(xiāo)書(shū)，但它作為社會(huì)的記錄具有持久的價(jià)值。它不是關(guān)于長(zhǎng)城或典型的桂林風(fēng)景的休閑讀物，也不是旅游指南，但是它完全可以引發(fā)人們親自來(lái)到中國(guó)看一看的興趣。 |
| What's more, Carter has shown us just how easy it is. Just get on the bus, Gus. Buy a ticket, ride from town to town, chat to people and take their picture. I have traveled many of same roads in the same way and this photo-book captures the feel, the color, the smell of China better than most others I have seen. |
此外，卡特向我們展示了在中國(guó)旅游是如此簡(jiǎn)單。只要坐上一輛公交車(chē)，買(mǎi)一張票，穿梭于各個(gè)城市之間，與當(dāng)?shù)厝私徽劊o他們拍照。我曾經(jīng)用同樣的方式游覽過(guò)許多同樣的地方，這本圖冊(cè)比我所見(jiàn)過(guò)的其他同類(lèi)書(shū)籍能夠更好地捕捉到屬于中國(guó)的感覺(jué)、色彩和氣息。 |
| His subjects are casual, un-posed, unrehearsed. He manages to achieve an extraordinary intimacy, not just with cute kids and young women, but with worshippers at a mosque, with a miner caked in coal dust changing his clothes at the end of a shift. He clearly must have considerable charm to have achieved these candid snaps of people who are normally shy of having their picture taken. But as he says, and people who travel the country soon find out, ordinary Chinese people are extraordinarily warm with foreigners. |
他的拍攝主題隨意而不做作，也不做任何預(yù)先計(jì)劃。不論是和可愛(ài)的孩子還是年輕的女士，不論是和清真寺的禱告者還是輪班前更換衣服的滿(mǎn)身礦灰的礦工，卡特在拍攝照片時(shí)都能夠和他們形成一種舒適的默契。顯然，他必須具有很大的親和力才能為那些通常因?yàn)楹π叨辉概恼盏娜伺臄z照片。但是據(jù)他自己所說(shuō)，在中國(guó)旅游的外國(guó)人很快會(huì)發(fā)現(xiàn)，這里的普通老百姓對(duì)外國(guó)人特別熱情。 |
| Above all, Carter's photographs depict the diversity of China, from chic young socialites to toothless derelicts, from wrestlers to karaoke girls. An let's not forget that this is a country of 56 official nationalities (and several more that, back in the 1950s, failed to make their case to officials overwhelmed with applications for recognition); Carter captures them, not dressed up for tourists, but still, in surprising numbers, wearing traditional dress. |
最重要的是，卡特的照片描述了中國(guó)的多樣性，從時(shí)髦而年輕的社會(huì)名流到?jīng)]有牙齒的流浪漢，從摔跤手到歌廳女郎。我們不要忘記這是一個(gè)由56個(gè)民族組成的國(guó)家 （比56個(gè)還要多，早在上世紀(jì)50年代，有幾個(gè)少數(shù)民族沒(méi)能向政府機(jī)構(gòu)申請(qǐng)獲得認(rèn)可），卡特拍攝的不是為了游客而身著盛裝的少數(shù)民族，而是許許多多穿著傳統(tǒng)服飾的少數(shù)民族。 |
| As Carter put it, during his two years on the road, his camera became an extension of his hand. And it is such a small, insignificant machine – not a digital SLR of the sort used by professionals. Why would he need one of those? These are not arty photographs. For the most part they are the sorts of snaps you could find in a family album. But this is the family album of a nation, the largest on earth. |
正如卡特所說(shuō)的，在旅行途中的兩年時(shí)間里，相機(jī)成為他雙手的延伸。他使用的是一個(gè)小巧普通的照相機(jī)，并不是專(zhuān)業(yè)人士所用的單反相機(jī)。他覺(jué)得不需要用那樣的相機(jī)來(lái)拍攝，因?yàn)樗牡牟皇撬囆g(shù)照。他拍的大部分照片是你能夠在一本家庭相冊(cè)中找到的那種照片，只不過(guò)他拍的是一個(gè)國(guó)家的家庭相冊(cè)，恐怕是地球上最大的家庭相冊(cè)了。
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